Protect Your Home: Secure heavy items in your home like bookcases, refrigerators, water heaters, televisions and objects that hang on walls.For those who can afford it, make essential purchases and slowly build up supplies. Remember that not everyone can afford to respond by stocking up on necessities.Being prepared allows you to avoid unnecessary excursions and to address minor medical issues at home, alleviating the burden on urgent care centers and hospitals.Make a supply kit that includes enough food and water for several days, a flashlight, a fire extinguisher and a whistle. Make an Emergency Plan: Create a family emergency communications plan that has an out-of-state contact.Practice Drop, Cover, and Hold On with family and coworkers.Leaders in Business Community Resilience.Sky is a Fellow of the Australia Council Dance Fund, Nominee of the Leonardo MIT, Rockerfeller Ford Foundation Global Crossing Award and co-founder and Artistic Director of Dancehouse, 1991-2001. She has studied dance in Australia and internationally (Australian Ballet School, Victorian College of the Arts, Postgraduate Studies at RMIT Architecture Department - Spatial Architectural Information Laboratory) and was a founding member of Circus Oz. As co-founder and director of new media performance company, Company in Space (1992-2004) and as Hellen Sky & Collaborators, she has presented work across Australia and internationally. Her projects bridge dance, performance and installation at times extended through new technologies and data generated by the body as a fluid interface between micro-movements, media, virtual-electronic and physical architectures, words and objects. Hellen Sky is an Australian digital choreographer/performer/director/writer. Sound Design & Performance: Mark Cauvin, Kasper T. Presented by Dancehouse in partnership with Sir Zelman Cowen School of Music at Monash University and the Abbotsford Convent as part of Dance Massive 2019Ĭhoreography & Performance: Hellen Sky, Myriam Gourfink It points to the idea that the porosity between the micro and macro worlds, and the borders of our perceptions and geographies hold the same tensions as our climatic extremes. ‘QUAKE’ is conceived to negotiate the intensification of technological speed as a force at play in the site of the body as analogous to a global entanglement with the data sphere. In a world that moves too fast, the ‘players’ invite us to reflect on the nature of movement and affect in our relationship to environment and landscape, palimpsests of histories, digital interfaces and cellular structures. Employing organic, analogue acoustic instruments and the physics of sound enhanced through digital processing, ‘QUAKE’ creates a multimedia landscape that breathes new meaning into everything that we see, hear and feel. QUAKE’ is a synthesis of hypnotic sound and uncanny movement, developed through the international collaboration of four independently renowned artists and anchored by the force of their ground-breaking work in the fields of sound and choreographic composition, computer technology and installation.Īs the four performers inhabit the expanded installation, the performance ensemble is reconceived as a system that considers psychological, anthropological and technological exchange as an exploration of time itself.
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